[et_pb_section fb_built=”1″ custom_padding_last_edited=”off|desktop” _builder_version=”4.16″ background_color=”#f2eff1″ custom_margin=”||59px||false|false” custom_padding=”0px||25px||false|false” custom_padding_tablet=”130px||130px|” global_colors_info=”{}”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.16″ background_color=”rgba(0,0,0,0)” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”|||” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”\u00dcberschrift” _builder_version=”4.27.4″ text_font=”||||||||” header_text_align=”center” header_text_color=”#55324b” header_font_size=”46px” header_line_height=”1.3em” custom_margin=”||0px|” animation_style=”flip” animation_direction=”top” global_colors_info=”{}”]<\/p>\n
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\u201cThose who speak sow. Those who listen reap.\u201d
from Argentina.<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ module_alignment=”center” custom_padding=”0px||||false|false” animation_style=”zoom” animation_intensity_zoom=”10%” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ admin_label=”Content” _builder_version=”4.16″ custom_padding=”||50px||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.thomas-asanger.com\/wp-content\/uploads\/2026\/09\/Aufnahmeleitung-1.jpg” title_text=”Recording Producer” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/www.thomas-asanger.com\/wp-content\/uploads\/2026\/09\/Messe.jpg” title_text=”Mass” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”\u00dcberschrift” _builder_version=”4.27.4″ header_2_text_color=”#55324b” header_2_font_size=”32px” custom_margin=”||15px||false|false” global_colors_info=”{}”]<\/p>\n
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For many years, I have been active as a Recording Director. I have specialized particularly in the field of choral and wind music. In this area, I have so far collaborated with ORF Ober\u00f6sterreich, Tonstudio Franz Schindlauer, and Studio Baumann. In addition to the Upper Austrian and the Austrian Wind Music Association, I also take on the recording direction for various music associations as well as the Milit\u00e4rmusik Ober\u00f6sterreich. My largest production to date was the \u201cMass of Mercy\u201d by Thomas Doss, in which more than 150 participants were involved with the Balduin Sulzer Choir of the Linz Music Gymnasium and the voestalpine Wind Orchestra. <\/p>\n
A successful sound production begins long before the first recorded note. The musical recording direction accompanies a production from the planning stage to the actual recording sessions. During the recording, the recording director is the critical ear outside the orchestra or choir. With score and recording log, he follows the musical events and pays attention to intonation, rhythm, interaction, balance, articulation, and musical expression. Discrepancies must be recognized quickly and reported back precisely. At the same time, the recording direction maintains an overview: Which passages have already been convincingly recorded, where is another take needed, and what can be resolved later in the edit? <\/p>\n
Sessions lasting several hours demand high concentration from all participants. It is all the more important to create a concentrated and at the same time positive working atmosphere, to communicate clearly, and to motivate at the right moment. <\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Contact – Zeile unten” module_id=”contact” module_class=”clearBoth” _builder_version=”4.3.2″ background_color=”#55324b” custom_margin=”100px||||false|false” custom_padding=”0px|0px|0px|0px” animation_direction=”bottom” box_shadow_style=”preset7″ box_shadow_horizontal=”0px” box_shadow_vertical=”80px” box_shadow_spread=”-14px” box_shadow_color=”#fff” global_module=”192″ saved_tabs=”all” collapsed=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”Contact Row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ width=”100%” width_tablet=”100%” width_phone=”” width_last_edited=”on|desktop” max_width=”100%” max_width_tablet=”100%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_padding=”0px||0px|” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”110px|7%|70px|7%|false|false” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Thomas Asanger” _builder_version=”4.16″ text_font=”||||||||” header_font=”||||||||” header_2_font_size=”32px” header_2_line_height=”1.3em” background_layout=”dark” module_alignment=”center” custom_margin=”20px|||” custom_padding=”|||” header_2_font_last_edited=”off|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n
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Herrenstra\u00dfe 3
4320 Perg<\/p>\n
office@thomas-asanger.com
www.thomas-asanger.com<\/p>\n
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Recording Director\u201cThose who speak sow. Those who listen reap.\u201dfrom Argentina.The critical earFor many years, I have been active as a Recording Director. I have specialized particularly in the field of choral and wind music. In this area, I have so far collaborated with ORF Ober\u00f6sterreich, Tonstudio Franz Schindlauer, and Studio Baumann. In addition to the […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2743","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.thomas-asanger.com\/en\/wp-json\/wp\/v2\/pages\/2743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomas-asanger.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.thomas-asanger.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomas-asanger.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomas-asanger.com\/en\/wp-json\/wp\/v2\/comments?post=2743"}],"version-history":[{"count":20,"href":"https:\/\/www.thomas-asanger.com\/en\/wp-json\/wp\/v2\/pages\/2743\/revisions"}],"predecessor-version":[{"id":2801,"href":"https:\/\/www.thomas-asanger.com\/en\/wp-json\/wp\/v2\/pages\/2743\/revisions\/2801"}],"wp:attachment":[{"href":"https:\/\/www.thomas-asanger.com\/en\/wp-json\/wp\/v2\/media?parent=2743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}